Can anybody write? This is a question that I have seen circulating in the writing community for a few years now. I know for a fact that many writers ask themselves this question and I know many avid readers who proclaim that "not everyone can write."
I asked a question similar to the very basic one mentioned above over on Facebook and Google+. I learned my lesson as far as asking broad questions, but I also received a load of excellent responses. Due to those responses, I considered summarizing several of the different viewpoints put forth and then setting them down here for you all to consider, but I have decided against that for this post and I may do it for my next.
This post, however, is about what I feel a writer is and whether or not anybody can write. I know some people will agree with my definition. I know some will not. But is that not the true beauty of the thing we call the internet? (By true beauty, I am not denying the greatness of cats and rainbows.) We can read the opinions of others and decide whether we agree or disagree without feeling pressured to make a decision right off?
To keep things simple and direct, here is my working definition of a writer: A writer is an artist whose constant use and mastery of words goes beyond what is commonly taught, whose life is devoted to quality writing, and who consistently writes because it is simply what they do.
To back up this working definition I have three things and accompanying question that allow me to know if someone truly is a writer.
1. Passion
Do they have a passion for their work and continuously seek to improve the quality of their work?
2. Talent
Do they have the ability to create work that is enjoyable, as an art-form, to readers?
3. Perseverance
Do they push on with consistent writing despite disappointments or rejections?
Before I answer the question of "can anybody write," I would like to clarify something. By consistent writing/consistently writes I mean that the person writes something worthwhile at least every week. There are seven days in a week, this should not be too hard to do. I do it with articles for my church newsletter or with short story prompt websites.
Also, honestly, a declaration of talent should come from someone other than one's mother or loved one.
So, can anybody write?
No.
Individuals have varying talents, that is what makes them individuals. Writers are talented with being able to write well, but they also possess passion and perseverance. There have been posts and discussions about the difference between the hobby writer and the professional writer. I would say my thought of a real writer would fall under the professional category due to the perseverance aspect. A hobby writer fails qualification due to the sporadic occasions that they actually write.
In my mind, an individual must possess all three, Passion, Talent, and Perseverance to be a real writer.
There you have it. I have left out a bunch of word definitions and qualifying arguments, seeking to give you the simplest view of my answer to the question as possible. I believe I have succeeded.
Sincerely,
Joshua A. Spotts
Here are some websites with prompts to help with writing something every week.
1. Cleverfiction.com
2. http://www.pw.org/writing-prompts-exercises
Cleverfiction is the site I use. It is a good community and has some interesting prompts.
Poets and Writers is a well-known and respected website for writers.
If you have a twitter, I am sure there are some good twitter accounts to follow for prompts as well. The internet is a marvelous place and resources for helping writers abound.
Friday, May 3, 2013
Tuesday, April 16, 2013
Three Things to do Before Editing your Novel
1. Write the novel.
....
As important as writing the novel is, I'm just joking here. But can a writer edit a novel without writing one? Of course! It just wouldn't be the writer's novel, it would have to be some other writer's novel. The title of this post dictates, however, that these are three things to do before editing your novel. Thus we can determine that these things should be applied to a novel you have already written.
Okay, here we go.
These things come from my own observations, or more aptly put, my own regrets. But I think they are good ideas in general.
1. Create a chapter-by-chapter outline of your entire novel.
I am no outline writer. Indeed, when I get an idea the flesh is put on it as I write. But I know that a precise, though brief, outline of what each chapter is about in my novel would be very helpful. That way, if I have a question about a certain event I can reference the chapter outlines and go directly to the chapter in which the event was supposed to happen. I have spent a lot of time flipping back through my novel when it would have been faster to look at my chapter outlines. I know I have written one of these lists, but the file is buried in my many files within several folders. Thus, in conclusion of this section I would advise not only writing a chapter-by-chapter outline, but printing it out too so that you don't forget you have it.
2. Create a list of characters.
This list allows you to keep track of your characters. It should contain the rudimentary descriptions of your characters as well as the primary occurrences in their lives. It would also be helpful to note which characters, usually minor, die and when or when they leave actual influence to the plot-line. I lost track of one of my characters that I had early on. I forgot about him. If I had created this list I would have been noticed his unexplained disappearance earlier instead of getting halfway through the edits and then saying, "hey, what happened to so-and-so?"
3. Create a list of the major events.
When I saw major events, I mean major, plot twisting events. This meshes with number one certainly and probably even number two, but it will allow you to see individually every major event. This will help you spot plot holes, I know it would help me. I have a mental list, but I still have to flip back through pages to reassure myself that a certain event has already happened.
There you go. I intend to put these three things into practice for myself this afternoon. I regret not having done it earlier, considering I am halfway through my final edit, but they should be useful things even for the second half. If you think it will be hard to compile these lists, you're thinking rubbish. At this stage you know your novel better than anyone else, so compile those lists and edit that killer novel of yours!
Sincerely,
Joshua A. Spotts
....
As important as writing the novel is, I'm just joking here. But can a writer edit a novel without writing one? Of course! It just wouldn't be the writer's novel, it would have to be some other writer's novel. The title of this post dictates, however, that these are three things to do before editing your novel. Thus we can determine that these things should be applied to a novel you have already written.
Okay, here we go.
These things come from my own observations, or more aptly put, my own regrets. But I think they are good ideas in general.
1. Create a chapter-by-chapter outline of your entire novel.
I am no outline writer. Indeed, when I get an idea the flesh is put on it as I write. But I know that a precise, though brief, outline of what each chapter is about in my novel would be very helpful. That way, if I have a question about a certain event I can reference the chapter outlines and go directly to the chapter in which the event was supposed to happen. I have spent a lot of time flipping back through my novel when it would have been faster to look at my chapter outlines. I know I have written one of these lists, but the file is buried in my many files within several folders. Thus, in conclusion of this section I would advise not only writing a chapter-by-chapter outline, but printing it out too so that you don't forget you have it.
2. Create a list of characters.
This list allows you to keep track of your characters. It should contain the rudimentary descriptions of your characters as well as the primary occurrences in their lives. It would also be helpful to note which characters, usually minor, die and when or when they leave actual influence to the plot-line. I lost track of one of my characters that I had early on. I forgot about him. If I had created this list I would have been noticed his unexplained disappearance earlier instead of getting halfway through the edits and then saying, "hey, what happened to so-and-so?"
3. Create a list of the major events.
When I saw major events, I mean major, plot twisting events. This meshes with number one certainly and probably even number two, but it will allow you to see individually every major event. This will help you spot plot holes, I know it would help me. I have a mental list, but I still have to flip back through pages to reassure myself that a certain event has already happened.
There you go. I intend to put these three things into practice for myself this afternoon. I regret not having done it earlier, considering I am halfway through my final edit, but they should be useful things even for the second half. If you think it will be hard to compile these lists, you're thinking rubbish. At this stage you know your novel better than anyone else, so compile those lists and edit that killer novel of yours!
Sincerely,
Joshua A. Spotts
Tuesday, March 19, 2013
Why You Should Enjoy Editing Your Novel
As I said in my last post,
I have been editing the final draft of my novel. I have been learning many
things through this process, chief of which is the necessity of enjoying the
editing process. Why is it important to enjoy editing one’s own novel? This is
a question I have pondered for several days now.
Editing a
novel is a very long process and can be, at certain times, painful. It is
painful because we, as writers, love our work. You may tell yourself that you
hate your work, that you want it to be better, but while that is a good
mindset, it is a lie. We are inherently biased toward the work of our hands,
which in the writing profession is the work of our hearts. The marks of a red
pen tearing apart your carefully worded sentences is a painful thing, there is
no denying this.
Writers
must naturally develop a tough skin. This tough skin helps with editing and
those dreaded rejection letters. In short, fellow writers, you just need to
deal with the pain. It doesn’t go away, but it can be dulled by understanding
the necessity of editing. Disregarding the pain, dulled by your tough skin, it
is important for you to enjoy the editing process which is necessary for your
novel to reach excellence.
1. Perspective:
This is important because we must always have the proper perspective when
editing. We edit to make our work better. This is the core of the editing
perspective, but there are other elements, one such being audience. When
editing your novel you must remember your target element and take the
perspective of what they expect/enjoy while editing your novel.
2. Entertainment:
Novels are, at their basest level, a form of entertainment. And entertainment
by its very nature is something we enjoy. This is why entertainment is an
important element to enjoying the editing process. If you do not enjoy the
process of making your novel better, how can you know that your reader will
enjoy your final product?
3. Lesson:
Memorable novels are those which have some lesson in them, disguised or
obvious. Novels which present lessons to their readers are novels that are remembered
because they caused the reader to take something away, to ponder something even
after they were done reading. These novels are also enjoyed more and,
oftentimes, are read more than once. This is why making sure your novel has
some lesson to be learned is important to enjoying the process. It is the same
logic as #2, if you do not enjoy putting in the lesson, how will the reader
enjoy learning the lesson? My geography professor is a perfect example of this.
She does not enjoy teaching us. She does not put any passion in her lessons,
and therefore I do not enjoy her lessons.
4. Choice:
This element is far more important than all the others, because only you can
choose to enjoy the long process of editing your novel. Take enjoyment in
working to give your readers a better piece of work. Choose to enjoy the
process which gives them something worth enjoying.
Sincerely,
Joshua A.
Spotts
Wednesday, March 6, 2013
3 Reasons to Edit by Hand
I have edited sixty pages of my novel by hand over the past few weeks. After three rounds of editing on my computer, two by myself and one by a friend, I had not expected to change so many things during the hand edit.
I printed out all 231 pages with the expectation that I would read through it like I would any other book, making sure I had filled any plot holes. That was my objective. I sat down at my desk, tea to one side, red pen in hand. One minute later I was making marks on the paper, rewording sentences, choosing better words to convey better emotion, all that fun, good stuff. In essence, prime objective was laid aside and I set to tweaking my novel to increase the readability.
I am becoming a huge fan of editing by hand. Here are three good reasons to edit by hand:
1. There are less distractions. (practically none)
Think about it. When you are editing on your computer there are a host of distractions, because editing is not really a super exciting or engaging process. One distraction is the internet and all those marvelously addicting websites out there. Another distraction is writing. Oh, yes, I did say it. Writing will distract you from editing. For myself I have at least three word documents open at a time on my computer at all times. If I grow tired of editing all I need do is hit alt+tab and immerse myself in another writing process. When editing by hand, there is only you and your manuscript. When editing by hand, there is no internet constantly calling and no other projects that beg for your creative attention.
2. It is easier to notice parts that do not flow well.
Have you ever been reading a well-written passage in a book and that feeling is just right with what is going on, then one phrase, perhaps even one word, does not fit, therefore shattering the mood? Editing by hand permits you to catch these sort of things because your mind is used to finding them in text on paper, but not in text on a computer screen. Most of the changes I have made while editing by hand concern flow.
3. It assists in making realistic dialogue.
Last night while editing I came upon a section of dialogue and started reading it out loud without even thinking. It then occurred to me that I had been doing that since I began. Reading dialogue out loud helps with editing it because real dialogue, therefore realistic dialogue, is audible. I think that when editing a manuscript by hand a person is more likely to read everything out loud, murmur or full-voiced, which assists particularly with dialogue as explained above.
So the three reasons to edit by hand are:
1. There are less distractions.
2. It is easier to notice parts that do not flow well.
3. It assists in making realistic dialogue.
I am sure there are more reasons. If I find more while I continue my hand editing process I will update you all on what they are. I encourage you all to try editing by hand if you do not already. It really is quite helpful.
Sincerely,
Joshua A. Spotts
I printed out all 231 pages with the expectation that I would read through it like I would any other book, making sure I had filled any plot holes. That was my objective. I sat down at my desk, tea to one side, red pen in hand. One minute later I was making marks on the paper, rewording sentences, choosing better words to convey better emotion, all that fun, good stuff. In essence, prime objective was laid aside and I set to tweaking my novel to increase the readability.
I am becoming a huge fan of editing by hand. Here are three good reasons to edit by hand:
1. There are less distractions. (practically none)
Think about it. When you are editing on your computer there are a host of distractions, because editing is not really a super exciting or engaging process. One distraction is the internet and all those marvelously addicting websites out there. Another distraction is writing. Oh, yes, I did say it. Writing will distract you from editing. For myself I have at least three word documents open at a time on my computer at all times. If I grow tired of editing all I need do is hit alt+tab and immerse myself in another writing process. When editing by hand, there is only you and your manuscript. When editing by hand, there is no internet constantly calling and no other projects that beg for your creative attention.
2. It is easier to notice parts that do not flow well.
Have you ever been reading a well-written passage in a book and that feeling is just right with what is going on, then one phrase, perhaps even one word, does not fit, therefore shattering the mood? Editing by hand permits you to catch these sort of things because your mind is used to finding them in text on paper, but not in text on a computer screen. Most of the changes I have made while editing by hand concern flow.
3. It assists in making realistic dialogue.
Last night while editing I came upon a section of dialogue and started reading it out loud without even thinking. It then occurred to me that I had been doing that since I began. Reading dialogue out loud helps with editing it because real dialogue, therefore realistic dialogue, is audible. I think that when editing a manuscript by hand a person is more likely to read everything out loud, murmur or full-voiced, which assists particularly with dialogue as explained above.
So the three reasons to edit by hand are:
1. There are less distractions.
2. It is easier to notice parts that do not flow well.
3. It assists in making realistic dialogue.
I am sure there are more reasons. If I find more while I continue my hand editing process I will update you all on what they are. I encourage you all to try editing by hand if you do not already. It really is quite helpful.
Sincerely,
Joshua A. Spotts
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